Difference between revisions of "Dante Alighieri"
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'''Dante Alighieri''' is the author of, among other works, the ''Inferno'', the ''Purgatorio'', and the ''Paradiso'', together known as the ''Divine Comedy''. In the 19th century, Italian professor [[Lorenzo Da Ponte]] became the first on America to lecture on the works; today, all [[Columbia College]] students read at least the ''Inferno'' in [[Lit Hum]]. | '''Dante Alighieri''' is the author of, among other works, the ''Inferno'', the ''Purgatorio'', and the ''Paradiso'', together known as the ''Divine Comedy''. In the 19th century, Italian professor [[Lorenzo Da Ponte]] became the first on America to lecture on the works; today, all [[Columbia College]] students read at least the ''Inferno'' in [[Lit Hum]]. | ||
| − | Dante had some mild problems with the Church, but beware ye who enter into a teleological argument that this represented some kind of early Protestantism. Oh, and he championed the Italian vulgate over Latin, which was far more helpful to 13th century courtesans than to students reading everything in English translation anyway. | + | Dante had some mild problems with the Church, but beware ye who enter into a teleological argument that this represented some kind of early Protestantism (ye can only get away with this while discussing [[Augustine]]). Oh, and he championed the Italian vulgate over Latin, which was far more helpful to 13th century courtesans than to students reading everything in English translation anyway. |
[[Category:Curricular luminaries]] | [[Category:Curricular luminaries]] | ||
Revision as of 03:17, 23 January 2008
Dante Alighieri is the author of, among other works, the Inferno, the Purgatorio, and the Paradiso, together known as the Divine Comedy. In the 19th century, Italian professor Lorenzo Da Ponte became the first on America to lecture on the works; today, all Columbia College students read at least the Inferno in Lit Hum.
Dante had some mild problems with the Church, but beware ye who enter into a teleological argument that this represented some kind of early Protestantism (ye can only get away with this while discussing Augustine). Oh, and he championed the Italian vulgate over Latin, which was far more helpful to 13th century courtesans than to students reading everything in English translation anyway.
