Difference between revisions of "Beat Generation"
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The '''Beat Generation''' comprised a group of artists and authors known for being vaguely anti-establishment back in the 1950s when the establishment was, for the last time, actually fashionable. Consequently, they weren't appreciated until later in life. Many prominent members went to Columbia, including [[Jack Kerouac]], [[Allen Ginsberg]], and [[Lawrence Ferlinghetti]], and they did a lot of smoking and hanging out at places like [[The West End]]. They're also known simply as '''Beats'''. | The '''Beat Generation''' comprised a group of artists and authors known for being vaguely anti-establishment back in the 1950s when the establishment was, for the last time, actually fashionable. Consequently, they weren't appreciated until later in life. Many prominent members went to Columbia, including [[Jack Kerouac]], [[Allen Ginsberg]], and [[Lawrence Ferlinghetti]], and they did a lot of smoking and hanging out at places like [[The West End]]. They're also known simply as '''Beats'''. | ||
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| + | They were first recognized by Columbia in [[1959]] at a stage reading organized by the [[English Department]] and held in [[Dodge Hall]]'s [[McMillin Theater]]. Allen Ginsberg attended; Kerouac could not.<ref>[http://books.google.com/books?id=-nt1xVR4SrAC&lpg=PA7&ots=r_eXPXbf4T&dq=columbia%20%22lived%20in%20livingston%22&pg=PA2#v=onepage&q&f=false The Beat Generation in NY, p. 2]</ref> | ||
[[Category:People]] | [[Category:People]] | ||
[[Category:History]] | [[Category:History]] | ||
Revision as of 19:34, 2 August 2010
The Beat Generation comprised a group of artists and authors known for being vaguely anti-establishment back in the 1950s when the establishment was, for the last time, actually fashionable. Consequently, they weren't appreciated until later in life. Many prominent members went to Columbia, including Jack Kerouac, Allen Ginsberg, and Lawrence Ferlinghetti, and they did a lot of smoking and hanging out at places like The West End. They're also known simply as Beats.
They were first recognized by Columbia in 1959 at a stage reading organized by the English Department and held in Dodge Hall's McMillin Theater. Allen Ginsberg attended; Kerouac could not.[1]
